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  • Blind Spot
  • Jasmine Targett - Blindspot 3
  • Jasmine Targett - Blindspot 11
  • Jasmine Targett - Blindspot 10
  • Jasmine Targett - Blindspot 9
  • Jasmine Targett - Blindspot 8
  • Jasmine Targett - Blindspot 7
  • Jasmine Targett - Blindspot 6
  • Jasmine Targett - Blindspot 5
  • Jasmine Targett - Blindspot 4
  • Innovators 1Friday, 16 May 2014 - Sunday, 22 June 2014ARTISTS:Jessie Bullivant, littlewhitehead, curated by David Hagger, Nicholas Ives, James Bonnici and Amelie Scalercio, Britt Salt, Jasmine Targett
DESCRIPTION:

Blind Spot

2014

Perspex with Steel Mirror

Perspex - L 1200 W 1700 H 2200 mm

Mirror - 1200mm diameter

Installation at Linden Centre for Contemporary Art 2014.

‘In every observation there is a blind spot, the spot on the retina where the optical nerve is connected making the eye blind on that very spot, all one can do is try to move these blind spots, in an effort to catch a glimpse of the invisible’- Krogh Jensen

Blind Spot maps the 20th century tipping point of awareness surrounding environmental concerns – the discovery of the Ozone Hole. Like an iceberg looming in space it is a dark wonder of the natural world that cannot be found on any atlas or world map. Its appearance in our atmosphere every spring is a haunting reminder of how close we come to pushing our environment beyond the point of regeneration.

As the southern Ozone hole appears to be stabilizing, the northern hole continues to grow, breaking record after record every year. This provokes a continuing dialogue on the Montreal protocol: did we get it right and is this the first instance of changing global behavior to correct the imbalance humans have created in nature?

Finding a means to visually and conceptually fathom this unperceivable aspect of nature, Blind Spot aims to delineate the blind spot in perception that fails to make the connection between existence and the systems within nature that support it. Beyond the visible, these systems can only be seen when aided by lenses and computers. These devices filter nature, offering a techno- romantic glimpse into existence.

“I wanted the viewer to be able to look up and see the ozone hole hovering in the ceiling of the gallery. By creating a lens-like mirror and installing it above the work, I was able to use the mirror like a satellite, to reflect what was otherwise out of view to the earth bound... The work maps the ozone hole filtered through the lens of a computer, revealing its visual similarity to an iceberg. The narrative of the work highlights the history of ongoing issues surrounding global warming and today’s climate change realities.”

Jasmine’s strength is in reinterpreting traditional craft based materials and techniques, working with new technologies to find innovative ways to respond to the issues her work addresses. Observing nature filtered through imagery from NASA’s Earth Observing Satellite Data Centre, Earth’s life support systems become visible within her arts practice.

Today there is a tenuous relationship between the fragility of our environment and its ability to regenerate. The success or failure of this lies in learning how to make the concerns of these invisible aspects of our life support system on Earth visible so that the unforeseeable consequences never eventuate.  The forecast for tomorrow’s weather is reliant on our perception of today.

This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.

Blind Spot is a continuation of the body of work - Life Support Systems

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